facebook twitter rss vimeo


Vivi Venezuela! — Latin magic lights up RNCM Festival

4BR looks back at the 2011 RNCM Festival of Brass — an event that will last long in the memory banks thanks to a certain Venezuelan export.

Magic Man
The magic man: Venezuelan Ensemble MD Thomas Clamor
Picture: Ian Clowes
For more RNCM images go to:www.pbase.com/troonly/110129_rncm

The 2011 RNCM Festival of Brass will be remembered for a very long time – thanks primarily to the remarkable talents of the Venezuelan Brass Ensemble and their charismatic conductor Thomas Clamor.

A quite stunning concert at Bridgewater Hall on Sunday afternoon contained brass playing the like you are lucky to experience more than once in a blue moon: And as certain local football supporters in these parts know all too well – they are very rare indeed. 

On the Friday, their ten-piece Caracas Brass ensemble gave an all too brief, but exquisite taste, of what was destined to come later the same weekend.

Knocked into a top hat

It is not often the expectations of diehard Pondashers are knocked into a top hat prior to Black Dyke taking to a concert stage – but the small group of the Venezuelan Brass Ensemble’s principal players did just that. It was stunning playing.

That though was just the aperitif before the main course on Sunday that satisfied the appetite of the most avaricious musical gourmet. 

Childs and Rutter
Barrie Rutter and Dr Nicholas Childs

Cheshire Cat

Thanks to the support of the Eric and Margaret Kinder Charitable Trust and Dr Ursula Jones, Artistic Director Paul Hindmarsh was able to deliver a truly world class musical attraction. 

No wonder he was smiling like a Cheshire Cat all weekend. He deserved all the plaudits.

The Bridgewater Hall could have been sold out twice over and the Ensemble could have played all night - not even four encores were enough. They are part Venezuela’s greatest cultural asset.  No wonder President Hugo Chavez smiles like a Cheshire Cat too.

Elsewhere the Festival once again provided plenty of musical food for thought.

Arthur Butterworth gives us a smile

Varying quality

The quintet of senior English bands delivered performances varying in quality – from the outstanding to the competent: an inspired Foden’s leading the way under James Gourlay’s direction; a prosaic Grimethorpe heading in the other direction under the hard working Howard Evans.  

In between, the new look Black Dyke revealed extended glimpses of their exciting, if still occasionally raw potential; Cory flexed their muscles like a bodybuilder on Porthcawl Beach and Leyland produced a lively selection box of dark material delights that would have put a smile on Philip Pullman’s face.

The decision to place an emphasis on emerging youthful talent saw the combined forces of Cornwall and Gwent deliver an enjoyable concert of music past, present and possibly future, whilst the trio of student RNCM ensembles, were bold and confident, if occasionally a little scruffy around the edges.

Scott and Williams
Andy Scott, Glyn Williams and a sneaky Simone Rebello face the camera...

Classy excellence

All the featured soloists gave classy displays of excellence (including Festival compere, Simone Rebello). 

The pick was an immense showcase of virtuosity from Les Neish, whilst a sparkling Mark Harrison bubbled with self-confidence and the brilliant Barrie Rutter as Richard III, became a construct of loquacious malevolent deformity before our very eyes.   


The talented compositional voice of Lucy Pankhurst won the John Golland Award, in a quirky competition that saw five contrasting works performed with aplomb by Fairey (Geneva) under two real talents of the baton in Jonathan Lo and Maria Molund.

It would be a real backward step if we didn’t get to hear more extended works from Lucy, David Lancaster, Benjamin Tubb, Christian Overhead and Richard Huw Cole on a regular basis.  

Lucy Pankhurst
A real talent - composer and John Golland winner Lucy Pankhurst

Splendid selection

And it was also good to hear from Derek Bourgeois again too – both with a splendid selection of many of his finest works (only ‘The Devil and the Deep Blue Sea’ was really missing) and with his equally witty views. 

Meanwhile, Peter Meechan provided ample evidence that he has now become a leading compositional voice for brass with a selection of his increasingly impressive output - the highlight, the stunningly emotive ‘Epitaph for Hillsborough’.

New highlights too from the pens of Andrew Ford, Andy Scott, Gary Carpenter and Elizabeth Winter, with reprised gems from Simon Dobson, Gavin Higgins, Paul Patterson, Arthur Butterworth and William Alwyn.

Mark Harrison
Sparkler - Trumpet soloist Mark Harrison

Ebbed and flowed

Elsewhere debate ebbed and flowed –with an edgy degree of exclusivity slightly marring the passion displayed on the pros and cons of Criteria Based Adjudication, whilst there was a more visionary, inclusive desire on the subject of a possible United Kingdom Brass Band Alliance.

Neither topics were resolved – but both have interesting futures ahead of them if these enlightening exchanges were anything to go by.  

Much like the RNCM Festival of Brass in fact. 

Faces of the RNCM
Emphasis on youth: Becky Adams & RNCM cover girl Hayley Baine

Full of passion and purpose; occasionally uneven, never less than interesting.

And for one glorious afternoon in Bridgewater Hall – absolutely, brilliantly, sensational.

Iwan Fox, Chris Thomas & Malcolm Wood

Black Dyke Band - The Hawth, Crawley

Sunday 18 March • The Hawth, Hawth Ave, Crawley RH10 6YZ

Contest: Welsh Regional Championships

Sunday 18 March • Brangwyn Hall, The Guildhall, Swansea SA1 4PE

Contest: London & SC REgional Championships

Sunday 18 March • Stevenage Arts & Leisure Centre, Lytton Way, Stevenage SG1 1LZ

Contest: North of England Regional Championships

Sunday 18 March • The Gala Theatre, 1 Millennium Place, Durham DH1 1WA

Black Dyke Band - Mirfield Parish Church

Thursday 22 March • Mirfield Parish Church, 38 Church Lane, Mirfield WF14 9HX

Clifton and Lightcliffe Band

March 18 • Our third section B Band are looking for Cornet and Trombone players. Rehearsals Friday's 7.00 - 8.15pm and Sunday mornings 10.00 - 12.15pm Based at Bailiff Bridge Brighouse. Our Saturday morning training band is also looking for players. All abilities.

Clifton and Lightcliffe Band

March 18 • Second Section band we are looking for a 2nd Trombone and back row cornet. We have a busy concert calendar and a trip to Italy planned for August 2018.. Based at Bailiff Bridge Brighouse.

Wakefield Metropolitan Brass Band

March 17 • Musical Director due to work commitments, the Wakefield Metropolitan Band seeks applications for this position. 1st section band with a 5th place at the areas. We require someone with the drive and ambition to take us to the next level is this you ?

Julian Bright

Conductor, Compere/MC, Cornet Soloist