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2011 Yorkshire Regional Championship — Second Section retrospective

12 varied performances from the bands to get to Cheltenham, but the two most interesting ones possibly came from the judges.

South Yorkshire Police
Police action - South Yorkshire celebrate their win at Bradford

There were twelve varied interpretations of Eric Ball’s iconic ‘Resurgam’ on Saturday afternoon, but it could be argued that the most fascinating performances weren’t delivered by the competing bands, but by the adjudicators, Philip Harper and John Roberts.

The two gave constructive, detailed pre-results appraisals, and the fact that the joint analysis stretched nearly as long as most of the performances told its own story.

Scope

John highlighted both the scope and importance of the composer's repertoire, and that in his opinion it had become a somewhat forgotten genre of brass band music making.  

He felt it contributed to why there were perhaps no problems at all picking out the qualifying bands and the top six in the 12 band field.

Medicine


Philip Harper didn't pull any punches either – delivering a forensic appreciation of the pitfalls to be found even in the opening four bars of the work.

There were a few Yorkshire folk wriggling rather uncomfortably in their seats at the end of it all – the result of two very intelligent, cogent appraisals of just what was good and what was not on the day.

They didn’t miss a trick.

Gong wrong

In a way it was neatly summed up byJohn's observation about the standard of gong playing – the final repose invariably disturbed by a clang that wouldn’t have been out of place at the beginning of an old Rank film.

Overall, it made for an uneven contest – with the judges letting it be known that the two qualifiers were someway in front of the rest of the field.

There was a clear podium finisher in third and two decent efforts from the bands in fourth and fifth.

The generous old euphemism that ‘the standard did drop off after that’ perhaps didn’t tell the whole story. 

At times it fell like a stone.  

Baker
Ball control pays off for Leigh Baker...

Ball control


The clear winners were South Yorkshire Police under the astute leadership of Leigh Baker.

The former Brighouse baritone player is a very competent banding all-rounder and he is now delivering performances built on strong musical foundations, where nothing is more important than reproducing what is on the score.

Leigh revealed that for him ‘Resurgam’ was all about ‘Ball control' – the desire to imbue his band with the essential characteristics of the composer’s musicality through the basics: tunefulness, balance, warmth of tone, refinement in phrasing and production.

Dividends

It certainly paid dividends, with the component parts adding up to a totally coherent whole, enhanced by a reading of sympathetic understanding.

Principal cornet, Leisa Mallalieu took the instrumental prize with a lovely contribution, and whilst they had a long wait before the final announcement of the results from the number 3 draw, it was all well worth it when Peggy Tomlinson finally read out their name.

They were thoroughly deserving of the title.

On this form they are a band more than capable of taking the National title in the Autumn.

Barnsley delight


Joining them in Cheltenham will be Barnsley Chronicle, who produced a rendition of warmth and musicality under Rob Straw.

It was always going to challenge for a podium place or better, thanks to well executed individual contributions and the MDs insistence on keeping a lid on the dynamic range.

It didn’t quite have that deeply ingrained sheen of the winners but it was a performance of real merit that deserved its reward.

Barnsley
Read about it in the paper - for qualifiers Barnsley Chronicle

Unlucky


The reigning champions Knottingley Silver could perhaps count themselves unlucky not to have qualified.

Dr Owen Wedgwood’s intelligent direction enabled his band to deliver a fine account that had a persuasive lyrical flow from beginning to end.

Breadth

There was disappointment yet again for Strata Brass, despite David Hirst’s lovely interpretation of the score, which was shaped with an intuitive understanding of the musical phrasing of the work.

Too many minor errors and untunefulness just saw it remain off the pace of the front-runners to come fourth.

Singing MD

Lindley had the unenviable task of playing number 1, but delivered a solid marker under the direction of Neil Jowett to end on fifth with a performance that certainly had the basics in place, but couldn’t quite add an extra level of warmth to the ensemble sound.

The drop in standard from 6th place down was marked, although Clifton & Lightcliffe could perhaps count themselves a touch unlucky that their well worked, but slightly uneven account, led by a singing John Clay, didn’t quite find a little more favour in the box.

Below this it was a question of compare and contrast and the age old problem of consistency.

Knottingly
Not quite for Knottingley Silver this time

Favour in hall


Eliot Darwin's Dodworth MW found favour in the hall with some Yorkshire stalwarts, but the bravura approach was perhaps a bit too robust at times, whilst it was much the same with Rockingham directed with great gusto by Roland Spencer.

A reliance on the louder dynamics to try and create excitement robbed the music of it sense of despairing loss.

Delicacy

Tabby Clegg’s lyrical approach with Slaithwaite was one of the most enjoyable of the contest, with a delicacy to the phrasing and a sense of musical flow.

However, the minor error count was high and in the end it left a deeply polished musical patina pockmarked with expensive chips.

Best Soloist
Best Soloist - Leisa Mallalieu of South Yorkshire Police

Tough times


The bottom three bands will know that they will ‘rise again’ – but not on a piece like ‘Resurgam’ on this evidence.

Wetherby & District, Garforth Brass
and Emley certainly delivered committed performances, but the heart on sleeve approach isn’t one that brings the best out of Eric Ball’s work.

The desire to try and create something that wasn’t really there in the first place saw misplaced enthusiasm get the better of all three.

Not so with South Yorkshire Police, with Leigh Baker's knowledge of 'Ball control' paying off in fine style.

Malcolm Wood



Regent Hall Concerts - Royal Greenwich Brass Band

Friday 10 December • Regent Hall (The Salvation Army). 275 Oxford Street. London WC1 2 DJ


Black Dyke Band - Huddersfield Choral Society

Friday 10 December • Corporation Street, Huddersfield HD1 2TA


York Railway Institute Band - Prima Vocal Ensemble

Saturday 11 December • Selby Abbey. The Crescent. Selby. YO8 4PU YO8 4PU


Glossop Old Band - The Oldham Band (Lees)

Sunday 12 December • Glossop Band Club, Derby Street, Glossop. SK13 8LP


Mole Veterans Band - Christmas Concert

Tuesday 14 December • Fetcham Village Hall. The Street, Fetcham. Leatherhead, Surrey KT22 9QS


Harlow Brass Band

December 6 • HBB have a vacancy for a Musical Director. We are a friendly, non-contesting band who reach a good standard. We are asked to play at a variety of events throughout the year and have our own Spring & Christmas concerts. We rehearse on Thursdays, 8-10pm.


Easingwold Town Band

December 5 • Vacancies for Principal Cornet and a Tutti Solo Cornet in our 4th-section registered band, as we look to retain our North of England 4th-section winners title in March 2022. Rehearsals Monday 7.30 - 9.15 p.m.


Avonbank (Evesham) Brass Band

December 5 • Our lively Second Section Band requires an Eb and/or Bb bass player for the Regionals and a front or back row cornet player.. We rehearse Wednesdays at 7.30pm plus other rehearsals in the lead up to competition which takes place on Feb 26th 2022.


Phillip Littlemore

GGSM, AoBBA Member
Conductor, Band Trainer, Adjudicator, Arranger, Teacher and Publisher


               

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