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2011 British Open Championships — Red Priest confessions

From Nero to Busby Berkeley — Philip Wilby's 'Red Priest' had it all...

Philip Wilbty
The composer makes a few points...
More Ian Clowes images at: www.pbase.com/troonly/110903_british_open

Philip Wilby’s ‘Red Priest’ proved to be an excellent test piece at the British Open.

Rare gift

The Professor has the rare gift of being able to write accessible works that engage not just the performer but the listener too – and as the hall showed throughout the day, that meant that the bands played to more bums on seats than has been the case for a few years at least.

And despite the early reservations about its association with Black Dyke, it soon became apparent that the majority of competitors found it a work they both enjoyed and felt confident of playing well too.

As always with Wilby, he was very clear about his inspiration and what he felt should be both seen and heard.

Wilby and Atkinson
Tucked under the arm. Derek Atkinson, Philip Wilby and the Red Priest...

Exotic variety

The extensive use of mutes saw bands empty their coffers to purchase an exotic variety of coloured cups, harmons, plungers and straights – in all shapes and sizes, from wood and plastic to metal and cardboard - and that was just the percussionists....

Meanwhile, the tricky question of where to stand was sensibly left up to the bands by the contest organisers.

Fodens
Colour co-ordinated mutes for Foden's

Nero

And as expected, the MDs fiddled with things like Nero at a Rome fire damage sale.

There was more choreography going on at times than a Busy Berkeley show.

To be honest it didn’t make that much overall difference to the aural experience, but in a number of cases the balance between solo lines seemed lopsided.

Sticks
Pick a stick...

Impression

With the majority of bands more than capable of meeting the tricky technical demands of the score (although a number of trombone players found some of the semi quaver work at the edge of their limitations), it was left to the MDs to try and make an extra impression in the box with their musicality.

Some tried from the start with their approaches to the aeroplane ‘take off’ of semi quaver sixes, which although marked at crotchet = 100, saw crafty conductors take more than a few miles off the runway speed.

Cory and Black Dyke in particular rumbled down the tarmac like a 747 rather than a typhoon fighter jet.  

Leyland
Stand and deliver for Leyland

Homework

Those who certainly did their homework found reward – notably the likes of Phillip McCann, who revealed that he had given his players recorded extracts from some of the works Wilby so cleverly quoted from in the test piece.

Those who opted for sheer brute force and will power came a cropper, many missing out on the dry wit that permeated much of the ‘Winter Wonderland’ scenes as adjudicator Michael Ball called them.

Chinese four seasons


There were some odd moments, some nerve shredding ones and some inspired ones too – with David King’s use of what appeared to by some sort of Chinese cymbals in the ‘Four Seasons’ the most inventive by far.

Tredegar
All directions for Tredegar...

Camouflage

The usual camouflage work was of a pretty high order, with a number of sop players lending their principal cornets a helping, although some of the percussion sections and timp players in particular let the adrenaline get the better of them

As for the big ending?

Wilby writes corkers, but many on the day were so elongated that they lost any sense of momentum – some bands almost added an extra bar of tam-tam and side drum crescendo before the very last note.

It was almost, but not quite as self indulgent as some of the ‘milking’ of applause at its conclusion.

It won’t be long before the bandroom tea lady is wheeled on with her urn to accept the plaudits at this rate.

Professor Wilby certainly didn’t choreograph that into his score – not that it would stop some MDs you suspect….

Iwan Fox



Norfolk Wherry Brass - Norfolk Wherry Brass Memorial Concert

Sunday 21 July • Lingwood Village Hall. Station Road. Norwich. Norfolk. NR13 4AZ


Lewes, Glynde and Beddingham Brass Band - Eastbourne Bandstand - 1812 concert

Wednesday 31 July • Bandstand, Grand Parade, Eastbourne BN21 3AD


Gresley Colliery Band - Byrkley Park Garden Centre

Saturday 10 August • Byrkley Drive, Rangemore St, Burton upon Trent . DE13 9RN


Foden's Band - Matt Ford - Gawsworth Hall, Macclesfield

Sunday 11 August • Gawsworth Hall, Church Lane, Gawsworth SK11 9RN


Foden's Band - Snape Maltings

Saturday 17 August • Snape Maltings, Suffolk IP17 1SP


Amersham Band

July 17 • Due to a player re-location, Amersham Band is seeking a 1st Baritone player. We are a friendly and ambitious band and we have qualified for the First Section National Finals and promotion into the Championship Section in 2020.


Cheshire Constabulary Band

July 17 • The band is looking for a Bass Trombone and a front rank cornet. A very friendly band with interesting and varied engagements (including trip abroad most years) . Our well established Corps of drums would also welcome new members on side drum.


Walsall Brass Band

July 17 • Walsall Brass Band are looking for Eb & Bb Bass players.


John Ward


Conductor, Adjudicator