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2011 British Open Championships — Red Priest confessions

From Nero to Busby Berkeley — Philip Wilby's 'Red Priest' had it all...

Philip Wilbty
The composer makes a few points...
More Ian Clowes images at: www.pbase.com/troonly/110903_british_open

Philip Wilby’s ‘Red Priest’ proved to be an excellent test piece at the British Open.

Rare gift

The Professor has the rare gift of being able to write accessible works that engage not just the performer but the listener too – and as the hall showed throughout the day, that meant that the bands played to more bums on seats than has been the case for a few years at least.

And despite the early reservations about its association with Black Dyke, it soon became apparent that the majority of competitors found it a work they both enjoyed and felt confident of playing well too.

As always with Wilby, he was very clear about his inspiration and what he felt should be both seen and heard.

Wilby and Atkinson
Tucked under the arm. Derek Atkinson, Philip Wilby and the Red Priest...

Exotic variety

The extensive use of mutes saw bands empty their coffers to purchase an exotic variety of coloured cups, harmons, plungers and straights – in all shapes and sizes, from wood and plastic to metal and cardboard - and that was just the percussionists....

Meanwhile, the tricky question of where to stand was sensibly left up to the bands by the contest organisers.

Fodens
Colour co-ordinated mutes for Foden's

Nero

And as expected, the MDs fiddled with things like Nero at a Rome fire damage sale.

There was more choreography going on at times than a Busy Berkeley show.

To be honest it didn’t make that much overall difference to the aural experience, but in a number of cases the balance between solo lines seemed lopsided.

Sticks
Pick a stick...

Impression

With the majority of bands more than capable of meeting the tricky technical demands of the score (although a number of trombone players found some of the semi quaver work at the edge of their limitations), it was left to the MDs to try and make an extra impression in the box with their musicality.

Some tried from the start with their approaches to the aeroplane ‘take off’ of semi quaver sixes, which although marked at crotchet = 100, saw crafty conductors take more than a few miles off the runway speed.

Cory and Black Dyke in particular rumbled down the tarmac like a 747 rather than a typhoon fighter jet.  

Leyland
Stand and deliver for Leyland

Homework

Those who certainly did their homework found reward – notably the likes of Phillip McCann, who revealed that he had given his players recorded extracts from some of the works Wilby so cleverly quoted from in the test piece.

Those who opted for sheer brute force and will power came a cropper, many missing out on the dry wit that permeated much of the ‘Winter Wonderland’ scenes as adjudicator Michael Ball called them.

Chinese four seasons


There were some odd moments, some nerve shredding ones and some inspired ones too – with David King’s use of what appeared to by some sort of Chinese cymbals in the ‘Four Seasons’ the most inventive by far.

Tredegar
All directions for Tredegar...

Camouflage

The usual camouflage work was of a pretty high order, with a number of sop players lending their principal cornets a helping, although some of the percussion sections and timp players in particular let the adrenaline get the better of them

As for the big ending?

Wilby writes corkers, but many on the day were so elongated that they lost any sense of momentum – some bands almost added an extra bar of tam-tam and side drum crescendo before the very last note.

It was almost, but not quite as self indulgent as some of the ‘milking’ of applause at its conclusion.

It won’t be long before the bandroom tea lady is wheeled on with her urn to accept the plaudits at this rate.

Professor Wilby certainly didn’t choreograph that into his score – not that it would stop some MDs you suspect….

Iwan Fox



Gresley Colliery Band - Byrkley Park - Christmas Open Evening

Thursday 18 October • Byrkley Drive, Rangemore St, Burton upon Trent DE13 9RN DE13 9RN


Besses o' th' Barn Band - Celebration Concert

Friday 19 October • Shaw Playhouse 2. 2 Newtown Street, Oldham Ol2 8NX


Regent Hall Concerts - Royal Northern College of Music Brass Band

Friday 19 October • Regent Hall. (The Salvation Army). 275 Oxford Street Opp. RESERVED. London. W1C 2DJ


Black Dyke Band - Elsecar Heritage Centre Barnsley

Saturday 20 October • Elsecar Heritage Centre Wath Road Elsecar Barnsley S74 8HJ


Woodfalls Band - Wellstead Community Choir

Saturday 20 October • Chandlers Ford Methodist Church. Winchester Rd, Chandler's Ford, Hants SO53 2GJ


Silver Spectrum Wind Band

October 16 • Sheffield based adult community wind band in Crookes. We welcomed several new brass players this term but still have vacancies for Trumpets/Cornets, Horns (Tenor or French) and a confident first Trombone. We also have vacancies for some wind instruments.


Crewe Brass

October 16 • Crewe Brass seek Eb and Bb bass, Euphonium and Baritone players. We are a friendly 1st Section Band and perform at a variety of events (including contests) under the baton of our MD Matt Pithers. Rehearsals are every Friday at 7.45pm in Shavington, Crewe.


Prospect Brass - Skelmanthorpe

October 16 • FLUGEL . Under MD Duncan Beckley, Prospect Brass are on the look out for a FLUGEL player. Rehearsals are Mon/Fri 7-9pm in our very own bandroom which is within easy reach of Huddersfield & Wakefield.


Mark Wilkinson


Cornet Soloist, Teacher, Adjudicator, Conductor