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Sponsored Content: Rrrrrosehill!
Remembering Trevor Austin

A year on from Trevor's death, Rosehill Instruments reflects on the legacy of its founder in the banding world.



‘Rrrrrosehill!’ 

Regular customers of Rosehill Instruments since 1967 will recognise Trevor’s distinctive phone greeting, with its enthusiastic rolled ‘R’ – one of many quirks of a man known for his energy, eccentricity and generosity. 

When Trevor died one year ago today, the outpouring of love and memories was both touching and unsurprising: after all, Trevor built a business on the strength of his vast network of friends. 

A well-earned reputation 

Trevor’s prominence in musical circles came from many years of brass banding. But it was in the Royal Horse Guards, where he played for hours every day, that he really honed his skills. And it was in the Royal Horse Guards that he experienced the proudest moment of his euphonium playing career: riding behind Queen Elizabeth II’s carriage at her coronation. 


Trevor in the Royal Horse Guards 

It was in the Royal Horse Guards, where he played for hours every day, that he really honed his skills 

As players started to rely on Trevor for advice in choosing an instrument, he decided to turn his passion into a career. 

In 1967, he launched Rosehill Instruments. At first, he operated out of his home, filling it with instruments, customers, chaos and fun. By 1975, the house (and his wife!) could take no more, and they moved the business to the shop in Beaconsfield. 

Spreading the banding joy 

Over the next decades, Trevor not only sold musical instruments, but also created opportunities for other musicians. He founded Beaconsfield Brass, the British Association of Christian Brass Bands, and possibly the first brass band summer school, led by Edward Gregson. 

Trevor not only sold musical instruments, but also created opportunities for other musicians 



Beaconsfield Brass preparing to play at Remembrance Sunday, conducted by Trevor 

Through Rosehill Music Publishing, he published Sounding Brass and The British Bandsman, the oldest weekly music magazine in the world. All of which made for a lot of work at the Royal Albert Hall every October, where he ran no less than five stands – two for Rosehill Instruments, one for Rosehill Music Publishing, and one for each magazine. 

At the Royal Albert Hall every October, he ran no less than five stands 

Keeping it fun 

Despite the hard work and determination required to build such a business and community, Trevor maintained an enormous sense of fun. 

At the grand opening of the shop in Beaconsfield, he recruited Roy Castle for an unconventional but fitting take on the usual ribbon-cutting ceremony. Roy pointed his Alpine horn at the shop door, while Trevor’s friend crouched behind it with a piece of string tied to the handle. When Roy blew the horn, the door flew open as if by magic. 

He recruited Roy Castle for an unconventional but fitting take on the usual ribbon-cutting ceremony 


Roy Castle at the grand opening of Rosehill Instruments in Beaconsfield, 1975 

Years later, when the Chamber of Commerce came to judge a competition for the best Christmas window display, he once again drew on his most favoured resource – music. He had completely forgotten to decorate. Undaunted, he gathered the staff, and by the time the judges reached the shop, Trevor and the Rosehill team were standing in the front window, playing carols. 

Even in banding, he enjoyed a bit of mischief. A former band conductor strongly suspected that Trevor was competing with his fellow euphonium players to see who could make it through an entire hymn in one breath. 

Even in banding, he enjoyed a bit of mischief 

How people saw him 

Trevor’s kindness, humour and expertise earned him widespread love and respect. Those who knew him describe him as a true Christian, a perfect gentleman, and a pillar of the banding movement. 

Trevor’s kindness, humour and expertise earned him widespread love and respect 

He sold many players their very first instrument, advised them, encouraged them, and set them on their musical path. His legacy continues in Rosehill Instruments, certainly, but also in the indelible mark he left on British banding. 

Tributes from friends and customers on Facebook 

Trevor lived to 94, and it’s impossible to capture more than a fraction of his full life here. If you’d like to take a longer trip down memory lane, we invite you to view the eulogy given by his younger son, Paul, who now directs Rosehill Instruments. 

Genevieve Austin, Rosehill Instruments

The eulogy can be viewed at: https://4barsrest.com/vision/play.asp?id=5310

For more information: http://www.rosehillinstruments.co.uk

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