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2012: June

This month were gave our opinion on boldness at the Nationals, innovation at Brass in Concert and the Spring Festival and praise the audiences at the Europeans.

Bold musical choices

Kapitol Promotions has been seen in some quarters as an inherently conservative custodian of the National Finals.

However, the decision to commission three new works for the event in Cheltenham and to use Howard Snell’s kaleidoscopic arrangement of ‘Daphis & Chloe’ at London must rank as one of the most innovative and welcome for many years.

It also reflects the organisers new found confidence in both contest weekends too – following a welcome response to the modern facilities at Cheltenham Racecourse, and the growing sense of occasion that is now being felt by performers and listeners alike at the Royal Albert Hall.

The boldness of these musical decisions is to be especially applauded though.

Howard Snell’s brilliance in understand the sound palette capabilities of the brass band is unsurpassed – the crowning glory of which has always been his stunning realisation of Ravel’s mesmeric score.

The audience is in for the rarest of contesting treats in Kensington if the very best bands play to the top of their form.

Meanwhile, listeners at The Centaur in September can also enjoy three diverse works (time constraints perhaps stopped a fourth being employed) from composers who certainly bring exciting musical voices to the stage in Tom Davoren, R Huw Cole and Jonathan Bates.

A bold musical strategy has been employed by Kapitol and the National Music Panel – and one that deserves to succeed.  

Make sure you book your tickets now.

What do you think?
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Innovation at BiC and Spring Festival

In many ways, the decisions of the Brass in Concert and Spring Festival organisers to totally revamp their adjudication process and to consider an overhaul of the draw mechanisms respectively, also show a welcome display bold innovation.

Brass in Concert has certainly listened to what had become a growing chorus of frustration from competitors, listeners and critics alike in implementing a much fairer, much more focussed adjudication system.

Now the bands can entertain what has always been an appreciative audience, without having to balance it by trying to artificially manipulate their programmes to fit preconceived ideas of prescriptive presentation and performance.

It may take a little getting used to, but in doing so Brass in Concert has opened up an exciting long term future for itself with this confident approach.

So too the Spring Festival, which has shown a forward thinking desire to help the 80 financially hard pressed bands that contribute to making the Winter Garden’s event such a unique banding occasion .

Forget any complaints about the judges now having an inkling of what bands will play where – that’s an adjudication red herring. If you don’t trust the judges don’t employ them.

This is all to do with helping bands plan in advance for what can be a very expensive and time consuming weekend by being able to plan their contest day in advance.

It’s a pragmatic, sensible and well thought out proposal that demands to be implemented as soon as possible.

Perhaps other major contest may want to follow these leads in their own ways too?

What do you think?
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In praise of the European audiences

Even though there was so much to enjoy at the recent European Championship in Rotterdam, the lasting impression of the whole event was the way in which the audiences at the De Doelen Hall became such an integral part of the musical experience.

The responses both before and after performances weren’t displays of biased, jingoistic cheering and brainless flag waving – every band was treated to an enthusiastic appreciation of their excellence.

Regardless of which country they represented, the audience sat in to listen to them all; invariably standing, cheering and applauding until their hands ached after performances had drawn to their conclusion.

This was a fabulous example of what a modern, inclusive brass band contest should be all about; musical entertainment that engages the listener’s response on both the intellectual as well as the simply visceral level.  

It was also a brilliant reminder of just what makes a brass band contest a truly thrilling experience too.  

What do you think?
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comments@4barsrest.com



Roberts Bakery Band - Bluedot Festival

Saturday 21 July • Jodrell Bank Discovery Centre. . The University of Manchester. . Macclesfield, Cheshire SK11 9DL


Medway Band - Higham Church Annual Prom

Saturday 21 July • St. Marys Church. 1 Abbey Farm Cottages . Church Street. Higham. Rochester . ME3 7LS


Lofthouse Brass Band - Oxenhope Railway Station

Sunday 22 July • Oxenhope Railway Station, The Railway Station, Station Road, Haworth BD22 8NJ BD22 8NJ


Tendring Brass - Opening Night Concert of the Frinton Mission 2018

Saturday 28 July • Greensward,. Frinton on Sea,. Essex CO13 9DN


Lofthouse Brass Band - Filey Bandstand

Sunday 29 July • Filey Bandstand, The Crescent, Filey YO14 9JS YO14 9JS


Arrow Valley Brass

July 20 • The Band seeks cornet players, front and back row to add to a band steadily improving under Andy Culshaw.. The band is friendly and welcoming and has a good mix of concerts and competitions. . Main rehearsal is on Sunday morning in Inkberrow, Worcs.


Loxley Silver Band

July 19 • Musical Director - We are a friendly, contesting band currently holding a strong position in the fourth section. We have a varied concert/engagement programme in place and we are looking for a Musical Director who can help us to move onwards and upwards.


Bakewell Silver Band

July 19 • Solo Cornet. Bakewell Silver Band are a second section band with a wide ranging contest and concert programme and are seeking a Solo Cornet.


Paul Andrews


Conductor, Band trainer, Adjudicator, Instrument Repairer - Brasstoff