*
banner

Brighouse & Rastrick Band

Conductor: Russell Gray
Soloist: Isobel Daws
RNCM Brass Band Festival
RNCM, Manchester
Sunday 29th January



A memorable RNCM Festival concluded with an outstanding concert from Brighouse & Rastrick Band, and a simply remarkable soloist appearance from Isobel Daws.

It also marked the final curtain call of Artistic Director Paul Hindmarsh, who could easily be forgiven for a little touch of (admitted) repertoire self-indulgence with the lovely added surprise of being able to conduct Wifred Heaton's march 'Praise' as an encore.

No one in a packed hall was left bemoaning that they had not had their monies worth and more at its conclusion.

Perfect foil

Russell Gray was the perfect interpretive foil; his understanding of the works complete, considered and absorbing. 

‘Resurgam’  was stripped of years of misplaced emotional baggage by the Scotsman, revealing its heartfelt emotional core with the starkest intensity of truthful spirit. 

It was also heightened by a perfectly measured segue that flowed from a telling musical character tribute to Bramwell Tovey from Edward Gregson. His ‘A Song for Bram’  also laid out simple truths.

Those with a connection of faith to each composer’s feelings towards personal loss were visibly moved at its hushed conclusion. They were not alone.

Those with a connection of faith to each composer’s feelings towards personal loss were visibly moved at its hushed conclusion. They were not alone.

Guilty Men

An earlier Eric Ball work opened the concert – one that pre-empted a tragedy of unimaginable proportions yet to come. 

‘The Triumph of Peace’  was written in the aftermath of Neville Chamberlain’s return to the UK in 1938 brandishing a worthless piece of paper proclaiming ‘Peace in our time’. 

Inspired by Matthew 26:52; “Put your sword back in its place. For all who draw the sword will die by the sword”, he instead reflected on the consequences of appeasement by developing a musical structure that drew deeply on his belief that the good of man would defeat its darkest manifestation of depravity. 

Ball was no supporter of the ‘Guilty Men’ identified by the polemicist ‘Cato’, who failed to prepare Britain for a war against what he saw as the forces of evil.

Inspired by Matthew 26:52; “Put your sword back in its place. For all who draw the sword will die by the sword”,  he instead reflected on the consequences of appeasement by developing a musical structure that drew deeply on his belief that the good of man would defeat its darkest manifestation of depravity. 

You were left in no doubt of that as the MD revealed the emotional core with a telling sense of purpose.

Conquest

Two equally dramatic works bookended the interval.  

As ‘Celebrations’  go, Arthur Butterworth seems to have taken them seriously in a very literal sense. His ‘Diptych for Brass Band’  was more a confirmation of conquest than carefree post National title knees-up (written to mark Desford’s 1990 Albert Hall victory) – although it did hit you in the head like a particularly heavy hangover.

Her approach to Bramwell Tovey’s ‘Lincoln Tunnel Cabaret’, with the seemingly casual ‘cocktail’ of stylistic malleability underpinned by stunning technique, was jaw droppingly sophisticated and engaging.

‘King Lear’  had little to celebrate either with his squabbling siblings, although Paul Hindmarsh’s sympathetic re-evaluation of Granville Bantock’s score certainly brought his troubles to visceral life. The machinations of power, darkly romantic and dangerous were captured like the background music to old Hollywood movie. 

Adding to the outstanding performances came the cast iron ‘A list’ star quality of Isobel Daws. 

Her approach to Bramwell Tovey’s ‘Lincoln Tunnel Cabaret’,  with the seemingly casual ‘cocktail’ of stylistic malleability underpinned by stunning technique, was jaw droppingly sophisticated and engaging.  Her appreciation of Ray Steadman-Allen’s ‘Walk with Me’  simply glowed with respect.

Iwan Fox 

Support us for less than a cup of coffee...

4BR wants to ensure that the brass band movement remains vibrant and relevant. We also want to be able to question, challenge and critically examine those who run and play in it, producing high quality journalism that informs as well as entertains our readers.

So if like us you value a strong, independent perspective on the brass band world - then why not consider becoming a supporter and help make our future and that of a burgeoning brass band movement more secure.

So one less cappuccino then?

Support us    



London Central Fellowship Band - The International Staff Band in Cambridge

Saturday 24 February • Wesley Methodist Church, Christ's Pieces, Cambridge CB1 1LG


Contest: North West Regional Championships

Sunday 25 February • Winter Gardens Complex, Church Street, Blackpool FY1 1HU


Contest: Midlands Regional Championships

Saturday 2 March • Corby Business Academy, Gretton Road, Corby NN17 5EB


Haverhill Silver Band - Waterbeach Brass - Spring Concert

Saturday 2 March • Histon Baptist Church, Station Road, Histon, Cambridge CB24 9LQ


Contest: Yorkshire Regional Championships

Saturday 2 March • Corporation Street, Huddersfield HD1 2TA


Mereside Brass

February 20 • Mereside Brass (Rudheath, Northwich) are looking for a FRONT ROW CORNET, position negotiable. We are a friendly 4th Section band restarting contesting this year and with a sensible calendar of jobs and band social events. Come and give us a try!


Haverhill Silver Band

February 19 • Play Bb (or Eb) bass and want to compete at the Spring Festival and Whit Friday? . . Due to work commitments, Haverhill Silver Band (L&SC Champions 2022) have a vacancy for a talented Bb or Eb bass player to join us after the areas.


London Central Fellowship Band

February 16 • We are currently recruiting a back-row cornet player, a Solo Cornet player, a Tenor horn player and a percussionist.


James Garlick

BMus (Hons), QTS
Conductor, Band Trainer, Adjudicator, Tutor


               

 © 2024 4barsrest.com Ltd