*
banner

LP review: Carnaval

Wynton Marsalis
Eastman Wind Ensemble
Conductor: Donald Hunsberger
CBS Records Masterworks
CB 331



This was the LP recording that brought the 25 year old American trumpet prodigy right bang into the full centre stage spotlight glare of the wider brass playing world. 

Recorded over three days at the Eastman School of Music in Rochester New York in September 1986, it was released in March the following year to widespread critical and popular acclaim - confirming the rumours that had long been heard from across the Atlantic Ocean (this was pre-internet days) that Marsalis was indeed the complete performance polymath.     

No hype

There was no need for hype. His sheer swaggering, cherubic confidence was matched by a startling technique and effortless musical eloquence that made it all sound so easy. 

Here was the chosen inheritor of the great American cornet playing tradition - the showy, brilliant bravura of Clarke, Levy, Emerson, Gilmore, Liberati, Beiderbecke and Arbuckle rolled into one.  

Even the album cover with its hint of Edward Hopper 1950’s Americana (and French spelling), complete with conspiratorial middle aged women glancing back at you had charisma. 

This was a performer making one heck of a statement mark. 

However, despite the accolades (in 1982 winning Grammy Awards in jazz and classical music in the same year) he already had his critics: The pianist Keith Jarrett in comparing him to “a high school trumpet player”, said he imitated other people’s styles “too well”, whilst he already had encountered strained relationships with the likes of Miles Davis and Chet Baker, who once said; “If I could play like Wynton, I wouldn’t play like Wynton.”

It mattered little though. 

However, if true greatness could be measured even at this tender age, it surely came with his rendition of ‘Sometimes I Feel like a Motherless Child’ , which sends a chill drip of emotional despair right into the chambers of your heart. 

Phenomenon

In the mid 1980s his star was in the ascendant – propelled by a series of jazz and classical recordings on the CBS label in particular that made a huge impact.

Today he is an American icon – respected and honoured throughout the world.  It is easy to forget that 35 years ago he was merely a phenomenon.

The performances are stunning - from the classic standards from Arban, Clarke, Bellstedt and Levy to the showcase lollipops of ‘Flight of the Bumble Bee’  and ‘Moto Perpetuo’  (although even that stands in the shadow of the double tongued version of Rafael Mendez (https://www.youtube.com/watch?v=i61dl_ex0xs) and the cultured appreciation of the traditional melodies of ‘Endearing Young Charms’ and ‘Tis the last Rose of Summer'. 

However, if true greatness could be measured even at this tender age, it surely came with his rendition of ‘Sometimes I Feel like a Motherless Child’,  which sends a chill drip of emotional despair right into the chambers of your heart. 

In a present age when far too many performers all too often fail to live up to their PR boosted media hyperbole, ‘Carnaval’ remains a benchmark of brilliance that brokers no argument.

Iwan Fox


Play list:

Side 1:
1. Variations Sur ‘Le Carnaval De Venise’ (Arban arr. Hunsberger)
2. The Debutante (Caprice brilliant) (Clarke arr. Hunsberger)
3. Believe Me, If All Those Endearing Young Charms (Trad arr. Hunsberger)
4. Grand Russian Fantasia (Levy arr. Hunsberger)
5. Moto Perpetuo Op. 11 (Paganini arr. Hunsberger)
6. ‘Tis the Last Rose of Summer (Trad arr. Hunsberger)

Side 2:
1. The Flight of the Bumble Bee (Rimsky-Korsakov arr. Hunsberger)
2. Napoli – Variations on a Neapolitan Song (Bellstedt arr. Hunsberger)
3. Fantaisie Brillante (Arban arr. Hunsberger)
4. Sometimes I Feel Like a Motherless Child (Trad spiritual arr. Hunsberger) 
5. Valse Brillante ‘Sounds from the Hudson’ (Clarke arr. Hunsberger)

Additional listening:

Wynton Marsalis playing 'Carnival of Venice' (1984)
https://wyntonmarsalis.org/videos/view/fantaisie-and-variations-carnival-of-venice-wynton-marsalis-boston-pops

Wynton Marsalis playing the Haydn 'Trumpet Concerto' (1984)
https://wyntonmarsalis.org/videos/view/haydn-trumpet-concerto-wynton-marsalis-with-boston-pops-orchestra
     
Wynton Marsalis playing 'Autumn Leaves' with Sarah Vaughan (1984)
https://wyntonmarsalis.org/videos/view/autumn-leaves-wynton-marsalis-with-sarah-vaughan-at-boston-pops-1984

Support us for less than a cup of coffee...

4BR wants to ensure that the brass band movement remains vibrant and relevant. We also want to be able to question, challenge and critically examine those who run and play in it, producing high quality journalism that informs as well as entertains our readers.

So if like us you value a strong, independent perspective on the brass band world - then why not consider becoming a supporter and help make our future and that of a burgeoning brass band movement more secure.

So one less cappuccino then?

Support us    



Regent Hall Concerts - The January Band

Friday 23 January • Regent Hall. (The Salvation Army). 275 Oxford Street. London W1C2DJ


The Hepworth Band - New Year Concert

Sunday 25 January • Christ Church, New Mill, Holmfirth HD9 7ER


Dobcross Silver Band - Whitburn Band

Sunday 1 February • c/o Dobcross Band Club. Platt Lane. Dobcross Saddleworth OL3 5AD


Contest: Norwegian National Brass Band Championships

Friday 6 February • Grieghallen, Bergen, N-5015 N-5015


Contest: Norwegian National Brass Band Championships

Saturday 7 February • Grieghallen, Bergen, N-5015 N-5015


Cambrian Brass

January 24 • We are a friendly, inclusive and hard-working brass band, welcoming players of all ages and abilities. We are particularly keen to fill our Soprano Cornet, Flugelhorn and EEb Bass positions.


Newtown Silver Band

January 24 • Newtown Silver Band are recruiting a Musical Director. We seek a leader with brass band experience who can motivate and develop players. A charismatic individual who can shape and deliver concert programmes to be enjoyed by both players and audience.


Newtown Silver Band

January 24 • Newtown Silver Band invites applications for the position of Musical Director.. The band rehearse every Thursday evening from 1930 - 2130 . The Musical Director will take a leadership role working with the senior band and will liaise with the training ban


Mark Wilkinson


Cornet Soloist, Teacher, Adjudicator, Conductor


               

 © 2026 4barsrest.com Ltd