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CD Review: Dances & Arias

The Music of Edward Gregson — Volume VI
Black Dyke
Conductors: Prof Nicholas Childs; Edward Gregson
Doyen Recordings: CD369

Dances and Arias

Hopefully, Edward Gregson’s predictions of musical mortality will be proved wrong time and time again.  

A relationship with Black Dyke that stretches back over five decades shows little sign of disappearing gently into the musical night. On this evidence, the freshly stoked embers of a mature compositional fire are burning as brightly as ever.

Freedom of expression

This latest volume (the sixth in an immensely satisfying series) encompasses works from the early 1970s to date - revealing a remarkable seam of explorative freedom of expression that continues to develop its musical language in a way few, if any other composer has done for the medium.  

‘Patterns’ can almost be considered a conceptual work; a youthful, geometric imagination of thematic and rhythmic stimulants that pulsate with energetic colour. Written in 1974 it provides the genesis for later motifs and themes with a rigour that retains a remarkable freshness of bite.

Present tense

There is also a striking sense of the present about his ‘Four Etudes’, despite encapsulating a 34 year span from the first three movements based on a set of piano pieces from 1982.

The capricious mini-portraits are inspired by the quirks of mood; the muted timbres of the opening ‘Canticle’ sparse and emerging, whilst the ‘Dance’ that follows is dislocated and troubling.  The sardonic wit displayed in ‘Excentrique’ is chilling in its absurdity when balanced against the bristling anger of ‘Aleppo’ - an extended paean to an incomprehensibly barbaric 21st century tragedy that offers a mere glimmer of hopefulness.

Lineage

The ‘Cornet Concerto’ is also a work that spans decades - the latest in a formidable lineage that stretches back to the ‘Horn Concerto’ written for the great Ifor James in 1971. It is a construct of reflection and recall – beautifully performed by Richard Marshall with an agile flexibility of technique and musicality.

Epoch

Two major works, some 30 years apart, frame the release in engrossing substance. ‘Dances & Arias’ is marvellously resurrected from puzzling neglect in a performance rich in depth and clarity of thought to reveal an intense musical dialogue that expertly oscillates between the rhetorical and the concise.

Even in its reworked contest form ‘The Trumpets of the Angels’ retains its thrilling sense of Biblical epoch - coruscating in its visceral drama; the seventh angel the harbinger of fate eternal.  

Brilliantly performed it leaves you breathless and spent, yet eager to hear yet more from a compositional pen that is far from writing its last.

Iwan Fox

Available from: http://www.worldofbrass.com/index.php/

1. Dances and Arias 
2-4. Cornet Concerto
Soloist: Richard Marshall
i. Sonata
ii. Intermezzo (...of more distant memories)
iii. Rondo
5-8. Four Etudes
i. Canticle
ii. Dance
iii. Excentrique
iv. Aleppo
9. Patterns
10. The Trumpets of the Angels
Soloist: Gareth Small



Black Dyke Band - Swiss Nationals Gala Concert

Saturday 19 September • KKL, Europaplatz 1, 6005 Luzern, Switzerland 6000


The Marple Band - Marple Band Autumn Concert

Friday 16 October • Marple Methodist Church, Church Lane, Marple SK6 6AY


The Marple Band - Marple and Hawk Green Bands Concert Compstall

Saturday 7 November • St Pauls Church, Compstall Rd, Compstall, Stockport, Cheshire SK6 5HU


Contest: Swiss National Championships

Saturday 28 November • Stravinski Hall, Montreaux. Claude-Nobs 5, 1820 Montreaux, Switzerland 1820


Contest: Swiss National Championships

Sunday 29 November • Stravinski Hall, Montreaux. Claude-Nobs 5, 1820 Montreaux, Switzerland 1820


Crewe Brass

July 26 • Due to relocation Crewe Brass require a top quality Bass player to complete our line up, Position negotiable withe the MD, Matt Pithers on 07921 062732. Enquires for other positions are welcome to apply in strict confidence.. .


The Marple Band

July 20 • The Marple Band were promoted to 1st Section at the start of 2020. We are looking for Basses Eb and Bb, front row cornets and second row cornet to join our friendly band. If fancy a change of scene and think you have what it takes to play, see below.


Foss Dyke Band

July 19 • Foss Dyke would like to invite applications for MD. You will have a very pro active committee to support you, and the band currently has only 1 empty chair, with well attended rehearsals. The bandroom has just had a complete refit, Covid ready.


James Chamberlain

BMus (Hons) PGCE
Conductor, Teacher


               

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