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               Thornton’s Original: Interview with David 
              Thornton, the newly crowned Euphonium Player of the Year 2001.  
             
            There was a lovely moment at the end of the Gala Concert on the 
              Nationals weekend, when David Thornton, Principal Euphonium of the 
              Black Dyke band was surprised by his playing colleagues.  
            Instead of the usual round of backslapping and verbal congratulations 
              that greet a player when he has won an award for his playing, there 
              was magnum sized bottle of Moet and Chandon champagne off the band 
              as a gift in recognition of his achievement of being awarded the 
              2001 Euphonium Player of the Year. It says something when your own 
              band player’s chip in the money to show their appreciation of your 
              talents, and David was as amazed and flabbergasted.  
            “I’ve been with Dyke since June 2000, and this is the best band 
              I’ve ever played in, not just for the standard of the performances 
              but for the friends I now have around me. We’ve really got a great 
              atmosphere in the band and that’s meant we’ve been able to enjoy 
              our win at the Nationals even more - because we’ve all gone through 
              the disappointments of not winning, together.”  
            David Thornton started his playing career at the age of 8. He was 
              born in Nottingham but moved to Dudley in the Midlands at the age 
              of 2 and as a young boy got involved in the excellent Dudley Music 
              Centre where he was encouraged to take up the euphonium and develop 
              his talents by Craig Sprinston a local peripatetic teacher. The 
              talent soon exploded and David became a border at the famous Cheethams 
              School in Manchester at the age of 13. 
             “Neither my mother or father are musical, and both my brother 
              and sister have talents in different fields, so it was a bit of 
              a shock that I seem to be able to get on so well with music. Going 
              to Cheethams was an amazing experience for me and I was so lucky 
              to come under the guidance of Bill Miller who instilled in me the 
              basics of good technique and the fundamentals of euphonium playing. 
              I owe him a great deal.”  
            His talents were quickly recognised by the banding world and in 
              1992 he actually played second euphonium for Kennedy Swinton at 
              the National Finals, whilst in 1993 he played solo euphonium for 
              Tredegar as the band came second to Fairey’s at the Nationals. 
             “I had a great time with Tredegar and they were such lovely people 
              – looking after me and making sure I didn’t have too much to drink 
              in celebration! I still keep an eye out for how they do at every 
              contest and I’m delighted they still are doing so well as a band” 
             
             Following a year with Wingates, he moved to Williams Fairey and 
              this coincided with him being taught by Stephen Mead, a relationship 
              that has now lasted seven years and that has been of immense benefit 
              to him as a player.  
            “Steve has moulded me into the payer I am today really. I am so 
              grateful to him and have learned so much that it goes without saying 
              that I’m in his debt. His influence on euphonium players in general 
              has been immense and he has been a major figure in developing the 
              euphonium as a recognised solo instrument in orchestral circles.” 
             
            2000 saw David make his final move to Black Dyke after three very 
              enjoyable years at Fairey’s. 
             “I had some wonderful moments at Fairey’s and they were a great 
              bunch of blokes to play with. James Gourlay is a fantastic conductor, 
              and perhaps we didn’t get the luck we deserved at the time to win 
              more major titles. However, the opportunity to play for Black Dyke 
              was something I’ve wanted to do since I started playing in bands 
              and when it came I took it with both hands.”  
            David has just completed his degree at the Royal Northern College 
              of Music and in June was awarded his BA/GRNCM. This means that he 
              is now in demand not only as a solo player but as a teacher as well, 
              and in addition to his duties with Black Dyke he has just about 
              got the time to teach at Huddersfield University, teach at the Royal 
              Northern and at a sixth form college in Barnsley. He has also started 
              to get the itch with the baton!  
            “I enjoy teaching very much indeed and have been lucky to be able 
              to take lessons to students in Steve Mead’s absence as well as teach 
              in my own right. I’m also a member of the Northern Tuba Quartet 
              with Mark Bowsie, Carl Richardson and Shaun Crowther and through 
              “Live Music Now!” we are contracted to play in adult day centres, 
              hospitals and schools a number of times a month. Its really rewarding 
              being able to take music right to people’s doorsteps in effect and 
              the response to the group has been tremendous.” The future is very 
              bright then for this talented and likeable young man. 
             “I hope to be able to start conducting a bit more in the near 
              future, and I’ve thoroughly enjoyed the opportunity of conducting 
              with the Arklow Band in the Midlands. The problem of course is that 
              Dyke is so busy that it’s making time to fit everything in that’s 
              the problem. We’ve got one free weekend off between now and Christmas 
              and then we are doing a masterclass in Rotherham!”  
            The award of the Euphonium Player of the Year came as a complete 
              surprise to him and to have the award made to him at the Royal Alert 
              Hall, and in front of his mother and father was something he won’t 
              forget. 
             “I knew nothing about the award and was completely shocked when 
              it was made. I’m please though that both my parents were there to 
              see the award being made – my mum would have had a tear in her eye! 
              Knowing that I’ve been recognised by fellow players means so much, 
              especially as I follow so many great names on the trophy such as 
              Stephen Mead, who won it twice, Nicholas and Robert Childs, Sverre 
              Olsrud and last year’s winner, David Childs – it’s a great honour”. 
             
            It’s an honour well deserved not only for the standard of his solo 
              playing but as an integral part of the new resurgent Black Dyke. 
              David Thornton has won numerous honours in his short euphonium playing 
              career, including a Yamaha Music Foundation Scholarship of Europe 
              and the Leonard Falcone Student Award, but the recognition of being 
              awarded the 2001 Euphonium Player of the Year means more than any 
              of these out together. It is a well-deserved achievement.  
             
            Back in June, 4BR published a personality profile on David Thornton. 
            Personality profile: David Thornton date: 
              08.07.01  
            
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