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2011 National Championships of Great Britain — Cadenza conumdrums

What were the right answers to the multiple choice options to the cadenza conumdrums?

Thornton
Well done mate: David Thornton back to his best with Brighouse
Pictures by Ian Clowes (www.pbase.com/troonly/brass)

One of the main talking points surrounding Paul Lovatt-Cooper’s ‘Breath of Souls’ test piece was the inclusion of the six multiple-choice cadenzas.

A or B options for euphonium, flugel, soprano, trombone, bass and horn – a mathematician’s delight for those into working out the possibilities of permutations, but a fairly straightforward one between pragmatism and potential for the MDs.

Key performer

The key performer was without doubt the euphonium (nearly all of who had fine contesting office days).

The first solo entry at rehearsal letter P ensured that we soon found out whether a player was equipped for the test to follow.

It was an opportunity to show off their contest day cahoonas.

Those who soared up to the top Eb (with some even having the nerve to linger there) were invariably those who went on to deliver the most impressive cadenzas too.

Back to his best

David Thornton was back to his very best with Brighouse, whilst the stunning Glen Van Looy with Beaumaris and Tredegar’s Kiwi import Buzz Newton, who stood and delivered without music (how their rugby team could do with an outside half with cahoonas like those come the Rugby World Cup Final on the weekend) were notable exponents on a day when the majority chose option A (the top one on the score, which started high and ended low) and performed with commendable aplomb.

Fairey
Going about their business: Fairey's trombones do thier bit...

Flugel fish

The flugel cadenza that followed however was a different kettle of fish.

Just a handful had the nerve to opt for the mp top Bb option – only five in fact.

Nearly all of them came off big style with Fairey’s Mike Eccles in particular producing a quite stunning rendition that took the breath away.

There were some almost equally fine efforts with Cory, Flowers and GUS too.

Sop stars

Sop players being the breed they are invariably took the high wire option – just five refusing the chance to indulge in a bit of top C minim blindness.

Those budding Blondini’s all just about emerged with reputations intact.

All on his own
Stand alone: Buzz Newton of Tredegar takes a lone stand

So too the trombonists, who quietly went about their business – all but two opting for the top Bb entry (helped by the sop giving them the pitch), whilst the basses (and the majority sounded like brass band basses rather than orchestral tubas) had a bit of a mix and match day.

50/50 split

It was very nearly a 50/50 split (a sign of pragmatism if ever there was one), although a few did revel in the spotlight (Woodfalls and Beaumaris in particular). It was noticeable that some efforts were made up of more than the one contributor though.

Finally the horn – and some stunning playing from the likes of Tredegar’s Chris Davies, Carlton Main’s, Leah Williams and Redbridge’s Chloe Mallett who backed themselves to ring out a top D or two without splashing it all over like Henry Cooper in an old Brut aftershave advert.

Cadenza choices

Instrument Cadenza A Cadenza B
Euphonium 13 7
Flugel 15 5
Soprano 15 5
Trombone 18 2
Bass 11 9
Horn 13 7

Mutes?

And as for the usual multiple-choice selection of mutes?

It was good to report that the vast majority of MDs stayed faithful to the composer’s very specific musical intentions, although one or two did sneak a fibre, cup or even bag mute onto the stage.

It was so obvious they did however – and the judges picked them up – even if they diplomatically did not say so in their remarks.

Hepworth in particular may have even lost a possible top six finish because of their approach.

Van Looy
Eyes on the job: Glen Van Looy of Beaumaris

Multiple choice adjectives

As for the multiple-choice selection of adjectives used by the critics to describe Paul Lovatt- Cooper’s test piece, ‘Breath of Souls’?

‘Challenging’ was perhaps the one that summed it up the best: Others couldn’t be printed on a family friendly internet website.

Whatever the bandsmen, listeners, conductors and even fellow composers thought – the simple fact of the matter was that it proved to be immensely popular and certainly did the job it was intended to do.  

As multiple choice answers go – that wasn’t a bad outcome in anyone’s book.

Iwan Fox



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January 23 • Poynton Concert Brass Band - 220 Park Lane - SK12 1QR . (Stockport and Macclesfield). NOT A LEARNERS BAND AND NO CONTESTING: We seek Good Standard; Front Row Cornet, 2nd Euphonium, 2nd Baritone. Rehearse Weds, 8.00 to 10.00 pm with a short comfort break.


Clevedon Brass

January 23 • Clevedon Brass has vacancies for a cornet and a horn player. We are a 10 piece brass ensemble who play a wide variety of music some specially arranged for us. We rehearse in Long Ashton near Bristol on a Tuesday evening,


Clevedon Brass

January 23 • Clevedon Brass has vacancies for a Trombone/Euphonium/Baritone player.. We are a 10 piece brass ensemble who play a wide variety of music some specially arranged for us.. We rehearse in Long Ashton near Bristol on a Tuesday evening,


Gary Davies


Conductor, Band Trainer, Adjudicator