2009 Spring Festival - The Adjudicators

7-May-2009

These are the six men that have to be impressed in the box this weekend - although we don't know in what section yet...


ReadDavid Read

David Read made his debut as adjudicator at the National Finals way back in 1985 when he shared the adjudication on "Cloudcatcher Fells" with Bram Gay and Sir David Willcocks. 

Since then he has been the most regular of judges at the Finals in addition to adjudicating at the British Open (debut 1982), the Masters, the European and many other major brass band contest all over the world.
2005 sees his 16th appearance as adjudicator and his 11th in a row in the box at the Royal Albert Hall.

He is a most highly respected judge, who's written comments are constructive and detailed and who has an acute ear for musical shape as well as technical clarity. More importantly he is seen as a "safe" adjudicator in the eyes of the bandsmen themselves, in that he invariably gets the vast majority of decisions concerning the prize-winners correct.
 
David Read was born in Wales and did his Military service with the Regimental Band of the Welsh Guards. His playing career came to fruition with the Askern Colliery Band, followed by a spell with Carlton Main Frickley Colliery.

He later joined the Munn and Feltons Band (later named GUS) later becoming Principal Cornet. During his time with the band, GUS became National Champions on four occasions and World Champions once.

He was also assistant principal cornet for the Virtuosi Band of Great Britain and Kings of Brass and was three times Champion Cornet Player of Great Britain and once outright Solo Champion. He was also a member of the famous GUS quartet that with John Berryman, John Cobley and Trevor Groom who on a number of occasions were British Quartet Champions.

He has been an educationalist as Senior Instrumental Teacher for Cambridge Area Education Authority, and in 1983 was honoured by the Worshipful Company of Musicians and in 1996 by receiving the English Masters Dedicated Service Award.

 
BrownbillMalcolm Brownbill

Malcolm Brownbill has more than 40 years involvement as player, teacher, conductor and adjudicator within the band movement. His wide musical experience has involved brass and military bands plus orchestral and choral work.

Originally staring to play the cornet in the Salvation Army, he became solo cornetist with several bands, and has conducted brass bands with prolific success since 1974, winning many prizes at all levels.

He is a former Police Inspector and Musical Director of the Merseyside Police Band, completing over 20 years in a position that involved him organising and directing many highly prestigious engagements. At the same time

Malcolm has been professional conductor of such bands as Wingates, Cory and Laporte Industries. He has also proved over the years to be a very successful instrumental teacher and many of the young people who benefited from his guidance are now playing with our finest bands.

His experience as an adjudicator is widely appreciated. Malcolm has officiated at numerous prestigious events throughout the UK, including Area contests and National Finals. 

A council member of the National Youth Brass Band of Great Britain and a member of the British Federation's approved Adjudicators Panel, he holds the position of Public Relations Officer for the Association of Brass Band Adjudicators

 
BoddiceNigel Boddice
 
Nigel Boddice, Hon A.R.A.M, enjoys a busy, impressive and enterprising international conducting career. Among the highlights so far, are concerts, recordings and a live CD project for Naxos with the BBC Scottish Symphony Orchestra and some highly enjoyable children's concerts with the Ulster Orchestra in Northern Ireland.

For the last seven years he has been regularly commuting to Norway, having accepted the role as Chief Conductor to the Royal Norwegian Navy Band [ K.N.M.M.], and led the ensemble to a new and much admired international standing.
He studied at the Royal Academy of Music, London and later with both the distinguished Scot Sir Alexander Gibson and the Polish Maestro Jerzy Maksymuick.

Currently he is on the staff at the Royal Scottish Academy of Music and Drama. Nigel has been honoured in the past by the Worshipful Company of Musicians, London, being the inaugural recipient of the Mortimer Medal for his beloved work in musical education principally for West Lothian, and also by the Society of Scottish Composers for his prolific presentation of contemporary works.

Over the last five years he has worked with countless orchestras and bands of every combination, which has formed the basis of a strong repertoire in several mediums.

He has recorded much for Radio and TV and has also completed several CD`s for Naxos, Doyen and Polyphonic. Recently, through his Scandinavian connections, he has been especially lucky to have collaborated with Ole Edvard Antonsen, Christian Linberg, Michaela Petri and Solveig Kringlebotn.

Back home in the UK, Nigel has continued with his distinctly versatile approach to work by directing and presenting the Salon Orchestra throughout Scotland and making New Year's Day appearances with the Philharmonica of Scotland.

Throughout the years, choral music has been an additional interest and featured in many a concert with for example, the Edinburgh Royal Choral Union, the National Norwegian Girls Choir from Oslo and Norway's legendary Silverboys.

Future travel and concerts are planned and anticipated in Argentina, Germany and Denmark. Future Summer Schools include return visits to the National Youth Wind Ensemble of Scotland, Glasgow Schools Orchestra , Moray and the R.S.A.M.D. Junior Orchestra.

Finally a brand new venture has just newly developed in Molde, where Nigel will direct their three orchestras amid the panoramic mountain landscapes of Middle Norway. 


WebsterRoger Webster

Roger has a global reputation as an educator and clinician, his specialist areas being performance psychology and physiology

Dr Webster is constantly conducting research in the area of psychotherapy, with special relevance to the needs of musicians. He lectures, and holds consultations in areas of Psychology specialising in Cognitive Behavioural Therapy.

His book, Websters PPP has received great critical acclaim across the globe and is available in English or German with further versions in French and Japanese planned for the near future. Roger has released four solo CD’s and appears as a soloist on over twenty with ensembles from England, Switzerland, Holland, U.S.A. and Japan.

He works as a senior lecturer at The Royal Northern College of Music where he teaches performance and gives lectures / consultations on performance anxiety. Roger is an endorsee for Besson Musical Instruments and has been actively involved in the development of new products since 1988.

Roger has been acclaimed by reviewers and audiences worldwide as one of the world’s greatest ever exponents of both trumpet and cornet playing. His involvement with the Musical Instrument Lubricants Company, Websters Eco-Lube Ltd has been well documented, but his latest project with Alliance Products sees a new range of mouthpieces and mouthpiece cases hit the market.


ReltonWilliam Relton

William Relton is a member of the Council of the Royal Albert Hall and is included on the Panel of Assessors for the Arts Council of England "Arts for Everyone" Lottery Fund.

His lifetime involvement in music started at the age of fourteen when he joined the Brighouse and Rastrick band, being appointed solo cornet at the age of seventeen. After National Service, he took up the post of Sub Principal Trumpet and Principal Cornet of the Birmingham Symphony Orchestra and left the CBSO after three years to take up one of the first £1,000 bursaries at the Royal College of Music.

During his studies at the college, William Relton played with all the major London orchestras and for one season was at the Royal Opera House, Covent Garden. He joined the Orchestra of Sadlers Wells Opera (now ENO) where he was Principal Trumpet.

In 1957 he joined the BBC, first as a player in the BBC Concert Orchestra, being later appointed music producer. In 1970 he became Orchestra Manager of the BBC Symphony Orchestra and was promoted to General Manager in 1975. 

He has worked with all the great conductors of our day, from Ashkenazy, Bernstein and Boulex to Zender and Zinman, and was successful in appointing both Gennadi Rozhdesvensky and Sir John Pritchard to the post of Chief Conductor of the BBC Symphony Orchestra. He was responsible for all the Orchestra's activities including tours of Australia, China, Jpan and most European countries.

He left the BBC to take up the post of General Manager of the Eastern Orchestral Board, where he was responsible for the financing of some 250 concerts per year given by professional symphony and chamber orchestras.

Recently he has devoted more time to conducting and adjudication, and is on the Management Committee of the Donatella Flick Conductors Competition.

William Relton has been a familiar face in the "box" at the since he made his "debut" in 1977 with Havelock Nelson and Buxton Orr. 

Since then he has appeared on another 15 occasions, including 9 years in a row from 1986 - 1994 and a further four consecutive years from 1997 � 2000. He has also adjudicated at the Open, Masters and European Championships as well as contests at all levels throughout Europe and the World.


RentonFrank Renton

Born in 1939, Frank was brought up in Yorkshire. He began to study the piano at age seven, and had his first trumpet lesson on his tenth birthday.

Frank first earned a living as a professional trumpet-player, gaining conducting experience where possible. In 1967 he won a Competition for Young Conductors at the Edinburgh Festival. Appointments followed in Germany and in Singapore, where he conducted the first performances of the country's fledgling symphony orchestra. He also worked throughout the Far East.

After his return to England in the mid-70s, Frank variously ran a music school in York, played with Versatile Brass, and eventually began working with the BBC Concert and Radio Orchestras. He also worked with the famed Grimethorpe Colliery Band.

In 1985 Frank returned to London to become Principal Conductor of the Royal Artillery Orchestra, London's oldest professional orchestra. For three years Frank and the Orchestra toured the country giving concerts in venues large and small, and to all kinds of audiences.

In 1988 he was appointed Principal Conductor of the British Concert Orchestra after critically acclaimed recordings with the American soprano Carol Vaness. He also began to broadcast regularly on BBC Radio, writing and presenting his own musical programmes. In 1992 he made the decision to concentrate entirely on conducting and broadcasting.

He is a member of the Worshipful Company of Musicians, and in 1989 became a Freeman of the City of London.

He remains one of the leading freelance Musical Directors in the UK, working with many of the very best brass bands in the country, whilst his high profile presentation of BBC Radion 2 Listen to the Band has given the programme new life and vitality.

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