*
banner

Scientists find that it's sight rather than sound that makes a judge's decision

According to a new study professional musicians only manage to pick the right competition winner a quarter of the time when they listen but don't see...

Adjudicators box
 

The findings of a study published by the PNAS (Proceedings of the National Academy of Sciences of the United States of America) journal has suggested that sight rather than sound plays a significantly more important role in deciding an expert’s opinion about a musical performance.

Sight over sound

The study, entitled ‘Sight over sound in the judgement of music performance’ by Chia-Jung Tsay of the Department of Management Science and Innovation at University College London, has just been published and has come up with some intriguing results.

It found that over 82% of professional musicians cited sound as the most important information required for making a judgement about a musical performance.

Only 25%

However, using the results of 10 actual music competition outcomes, only 25.7% of professional musicians subsequently identified the actual competition winner when using sound only in their decision making process.

Combining both audio and visual information the success rate rose to 29.5%, although using only silent visual information it soared to 47%.

Novice improvements

Meanwhile, 83% of novices also cited sound as the most important information required — with 28.8% identifying the actual winner when using sound only in their decision making process.

Combining both audio and visual information, the success rate rose to 35.4% — although using only silent visual information it soared to 46.4%.

Chance element

It is important to point out however that the element of chance of getting the same outcome as the actual result of the competitions used was calculated at 33% (experiment numbers ranged from 89 to 262 participants and all procedures were approved by the Harvard University Institutional Review Board).

No better?

So are novices better than professionals at judging a musical outcome, or are the professionals no better than getting it right than mere chance, even with sight and sound to help them?

And what explains the huge rise in successes rates when no sound is used – even though the actual outcomes were made by subjective opinion in the first place?

using the results of 10 actual music competition outcomes, only 25.7% of professional musicians subsequently identified the actual competition winner when using sound only in their decision making process4BR

At odds

It seems the outcome according to the report is fairly clear.

As it states: "It may be that regardless of training, knowledge and theories about the meaning of music, experts are just as vulnerable as novices to certain heuristics – ones that may be at odds with what is valued by the field."

The study also stated: "The dominance of visual information emerges to the degree that it is overweighted relative to auditory information, even when sound is consciously valued as the core domain content."

The report ends: "It is unsettling to find – and for musicians not to know – that they themselves relegate the sound of music to the role of noise."

To read the article in full go to:

http://www.pnas.org/content/early/2013/08/16/1221454110

Become a supporter and help make our future secure.

4barsrest continues to be a proudly independent voice. There are no paywalls to overcome to be able to enjoy what we do to keep our journalism at the heart of the brass banding world. Support us with a one-off donation or subscribe from just £2.50 per month.

Support us    


Money

Did brass bands really receive £31 million?

March 19 • Arts Council England is reported to have paid out over £31 million to bands in the last three years, but the figures may not be all that they appear to be...


NYBBGB

Ticket demand high for NYBBGB Easter showcases

March 19 • If you want to hear the National Youth Brass Band of Great Britain in action this Easter the you had better be quick about getting a ticket...


Gala Theatre

Durham focus for North of England Area contenders

March 19 • 42 bands will take to the stage in Durham to try and claim their places at London and York later in the year.


Stevanage

Bands get ready for London & SC Area challenges

March 19 • Stevenage Arts & Leisure Centre will host 76 bands battling for National Finals qualification this weekend.


Regent Hall Concerts - Slide Effect Trombone Quartet

Friday 20 March • Regent Hall. (The Salvation Army). 275 Oxford Street. London. . W1C2DJ


Regent Hall Concerts - Welsh Guards Band Septet

Friday 20 March • Regent Hall. (The Salvation Army). 275 Oxford Street. London W1C2DJ


Enderby Band - Around the World in 80 Minutes

Friday 20 March • Wycliffe Rooms, George St, Lutterworth LE17 4ED


Contest: London & Southern Counties Regional Championships

Saturday 21 March • Arts & Leisure Centre, Lytton Way, Stevenage SG1 1LZ


Longridge Band - Spring Concert

Saturday 21 March • Longridge Civic Hall, 1 Calder Avenue, Longridge, Preston PR3 3HT


Tintwistle Band

March 18 • Tintwistle Band are looking for a 2nd euphonium and 2nd baritone player to help complete the team.. We rehearse Monday and Thursday 8-10pm at our own bandroom on Old Road in Tintwistle, and perform a variety of concerts all year round.


Tintwistle Band

March 18 • Tintwistle Band are looking for a Soprano and front row cornet players to help complete the team.. We rehearse Monday and Thursday 8-10pm at our own bandroom on Old Road in Tintwistle, and perform a variety of concerts all year round.


St John's Band (Mossley)

March 15 • We are a friendly, welcoming 4th section band based in Tameside, Greater Manchester. Following our 4th place at the North West regionals, we are looking for a SOLO CORNET player (position negotiable). We rehearse on Tuesday and Thursday evenings.


Dave Collins

BA (Hons) (Dunelm) I, FSCO
Composer and Arranger


               

 © 2026 4barsrest.com Ltd